A blurry iPhone-style photograph showing the window of a moving train. Through the window, a scenic landscape appears: tall green cliffs running alongside a river, with a small European village built on the slopes. The motion blur suggests the train is moving quickly, with soft reflections on the glass, natural daylight, and a casual handheld phone-camera aesthetic. Sharp textures where possible, rich colors, and a realistic sense of depth and distance.

historic photo of nikola tesla doing a backflip

Portrait of a young Asian child wearing an elaborate traditional Japanese mountain deity costume (Yama-no-Kami), featuring a dramatic furry animal headdress with horns, antlers, and decorative elements including straw rope and purple/red fabric accents. The child wears a voluminous cloak made entirely of natural dried brown straw or palm fronds that covers their body. Soft gray-blue background. The child has a serene, contemplative expression with rosy cheeks. cultural documentation style. The costume represents traditional Japanese folk ritual attire from Yamagata region.

The shoe from image 1 is now made from the texture in image 2

Create an ad for a clothing brand that is artsy, vibes and cool you can use some colors from this palette #07130e, #556659, #b9b5d0, #f3f1e6, #dedbc9, #afaa92, #ffffff Add today's date as well. disposable camera style On the front of the cap, add some kind of joke about latent space or FLUX models but make it cool you know

Create one image keeping the style of each individual one. The man and the woman are posing for a picture next to each other, the wall is the color of teh background of image 1 but style and texture of image 2. She's wearing cool and fancy clothes that are bright blue

a star for "LATENT DIFFUSION MODELS" "ROMBACH & AL" in hollywood bvd

A surreal graphic scene of a snowboarder carving down a perfectly smooth S-shaped slope that looks half-snow, half-illustration. Bold saturated colors: electric blue background, deep green shadows, warm orange accents. Soft airbrushed textures with crisp edges. The snowboarder wears a bright monochrome outfit and is frozen mid-turn. Minimal, ultra-clean, poster-like composition with stylized snow spray.

integrate an abstract keyboard in the layout and replace the text to "TYPING FUNCTION" and "FLUX.2 DESIGN"

The shoe from image 1 is now made from the mushrooms in image 2

Replace the hand holding the perfume with a furry tiger paw made from realistic materials.

Create a gritty comic book poster with the title “THE ARCTIC OUTLAWS” in comics style font. The penguins from image 1 appear as the main rebel duo, placed front and center with dramatic shadows. The fox from image 2 is their enigmatic ally, standing behind them dramatically. The car from image 3 is stylized as a futuristic off-road survival vehicle. Use comics-style crosshatching, cold blue and red palette, motion lines, gritty halftone textures, and cinematic lighting.

take the materials and textures from the house in image 2 and apply them to the house sketch in image 1, keep the proportions and structure exactly as in the sketch, recreate every surface using the real materials from image 2, match colors lighting and texture details, turn the sketch into a fully realistic house built from the materials shown in image 2 while preserving the original layout and shape of image 1. remove any watermark

Late medieval religious painting depicting a dying man in bed inside a small arched chamber. Death, portrayed as a skeleton wrapped in a burial shroud, enters through a doorway holding an arrow aimed at the man. A demon crouches at the bedside, offering a bag of gold, while an angel tries to guide the man’s gaze toward a crucifix in the window. In the foreground, another figure in a green robe leans over a chest filled with coins and treasures, while small devils lurk beneath it. Armor, weapons, and draped fabric lie scattered on the floor. Intricate Gothic architecture, warm muted colors, moral allegory of greed and salvation, highly detailed and textured, painted in the style of Hieronymus Bosch, 15th century Northern Renaissance art.

Claude Cahun's photographic portrait in neon colors

a lan party on a sailboat boat in the 90s

really bad coffee, crappy iphone shot, in a chaotic office space, late at night. add some subtle hints for "FLUX.2 [dev]" and "FLUX.2 [klein]". For FLUX.2 [klein], add a note "muss ballern"

Take the person from image 2 and place them in the driver’s seat of the car from image 1, posed naturally as if they are driving. Put one of the pastries from image 3 in their hand. Place the animal from image 4 in the passenger seat next to the driver, positioned so it is looking at the pastry with a lustful, hungry expression.

A comic book cover in the style of the 90s featuring a ninja frog jumping in the air with the title "FLUX.2"

A human holding this salmon in his arms, pleasantly cuddling it with a warm smile and closed eyes

place this can on top of a minimalistic black shiny surface on black background

In the color palette of the image, create a logo for umbrellas

A retro faded and worn magazine cover with bold text "RETRO" in red and a pile on televisions in the background exactly same as the tv in image 1. on the foreground the model from image 2 is sitting on one of the televisions, dark background

image 1 in the style of image 2. no text

replace the blurred text in image 1 with the logo from image 2, replace the model's dresses with highly detailed hot couture gowns inspired by a black forest

The Vik Church in Iceland, with a dark blue sky and mountains with snow in the background, is captured in this night photography. The color scheme features white and red, and the high-resolution photography showcases a real photo style with a bird's eye view of the houses at the foot of the mountain. The panoramic scene creates a striking contrast between lightness and darkness, with bright lights and beautiful lighting effects, cool colors, and spectacular scenery. The magnificent architecture of the church is captured in high-definition photography.

detailed cutaway cross-section model of Apollo Lunar Module

Watercolor architectural illustration, abstract, aerial view of contemporary modern zen garden with house, pond with lily pads, wooden deck, mature trees and landscaping. Soft green palette, loose brush strokes, isometric perspective, hand-drawn sketch style.

Transform the insect from the uploaded image into a human-sized insect DJ standing in a corner behind a wall, with colorful club lights flashing around and no people present. Keep the original insect arms exactly as they are, with each arm reaching out to adjust a different DJ knob or button. Capture the scene with a harsh 2000s digicam flash, low resolution, visible grain and noise, and a slightly tilted angle. The insect maintains its original look but with human scale and posture, DJing alone in the corner.

the woman in image 2 sitting on the swing in image 1 and the cat from image 3 sitting on her lap

giraffe who's neck spells out "Macarena"

Blister package for "INACTION FIGURE" plastic toy figurine: Gen-Z Teenager with bent head looking down reading his smart phone that he holds in his and.

All three characters are now photographed together.

Two sloths out drinking, 2000s digicam style

A simple infographic meme in the style of 'if dog wore pants': A white background with a title at the top reading 'IF CAPYBARA WORE SUITS' in bold black sans-serif capital letters. Below are two side-by-side illustrations labeled 'OPTION A' and 'OPTION B'. Option A shows a capybara standing on its hind legs in an upright human-like posture, wearing a complete two-piece business suit (jacket and trousers) only on its back half - the jacket covers the rear torso and back legs, with the front legs remaining bare and visible. Option B shows a capybara in its natural four-legged stance wearing a modified four-legged suit with four trouser legs and a jacket portion covering all four limbs and the full torso. Both capybaras are drawn in a simple, clean cartoon style with minimal shading. The suit in both options is gray with a white dress shirt and red tie visible. Each option has its label in black text beneath the illustration. The overall style is clean, minimalist, and mimics the original dog pants meme format with simple line art and flat colors.

A parallel world where only axolots evolved, crowd of axolots wearing various clothings, hyper details, rich colors, photograph, kodak film photo, 80s vibe

A dynamic panning shot on Kodak Portra 400, 24mm at f/8. A black sports car with red LED tail lights blurs violently across a wet night highway. The entire city behind it melts into streaks of teal, magenta, and sodium orange light trails. The car’s rear lights smear into neon ribbons, wheels dissolved into circular motion streaks. Reflections stretch across the rain-soaked asphalt like smeared oil paint. Shot at 1/60 second with aggressive pan, producing ghosted highlights and prismatic blur. Rich oversaturated Portra palette, creamy bright signs, cyan-tinted shadows, deep amber street lamps. Overhead highway signs streak into long green-blue bands. Frontier scan look with heavy color correction, visible medium format grain, golden speckled highlights. 1970s action photography aesthetic, extreme directional motion blur, radiant neon trails cutting through darkness.

swap positions, now the duck is riding the cat

A vintage laptop displaying vibrant pixel art of a white cat with small pine trees on blue background, heavy RGB chromatic aberration and scan line distortion creating rainbow edge bleeding, dramatic green volumetric light beams radiating outward in multiple directions from the screen, BLACK FOREST LABS branding visible on monitor casing, German beverage can beside monitor, shot against deep blue-black background, studio product photography with precise lighting, sharp focus on screen displaying corrupted digital graphics, moody cyberpunk aesthetic with strong color contrast between blues and reds

A low-angle street style photograph captured on Fuji Superia X-Tra 400 film from 1987 with a 35mm spherical lens at f/5.6, featuring model in full outfit - red Chiefs jersey, black pleated trousers, burgundy boat shoes, red beanie, brown sunglasses - standing on shopping cart in supermarket parking lot. Model balanced on cart frame in dynamic pose, one foot on metal basket, jersey billowing slightly, sunglasses reflecting overcast sky. Wide black trousers with front pleats creating dramatic volume, burgundy leather shoes with tan lug soles visible. Red knit beanie and red jersey creating tonal red look with black trousers break. Background shows rows of parked cars, concrete lot with yellow parking lines, distant suburban supermarket facade. Grey overcast daylight at 1/250 creating flat even light. Expired Superia showing warm peachy cast, oversaturated reds, faded blacks to charcoal grey, soft contrast, medium grain, slight vignetting. Composition emphasizes youthful rebellion - formal trousers with sports jersey. Early 2000s Americana streetwear editorial style.

A rear view of a young woman with dark skin, her neatly styled braided updo showcasing an abundance of maximalist adornments. She's looking slightly sideway, revealing long lashes. Her hair is intricately decorated with countless colorful pins, brooches, and small decorative items, creating a dense, eclectic display. Blue ribbons are woven throughout her hair, adding to the visual richness. She is wearing a bright fuchsia collared shirt. Her fingernails are painted a vibrant neon green. She has numerous rings on her fingers and is sporting large, elaborate, maximalist earrings. Her hands are clasped gently around the back of her neck, resting on a chunky silver chain necklace. The background features a gradient from a warm, burnt orange at the top to a softer pinkish-purple at the bottom. The lighting is even and soft, highlighting the maximalist textures and details of her hair and accessories.

analogue 1980s film footage of some jelly monsters sitting on a couch in a house, sitcom

photo of a vaccum-sealed bag filled with various pope Francis figurines, studio product photography, hyperreal textures, hard plastic reflections, soft studio lighting, central composition, high detail, shot with 50mm lens, eye-level shot, black background, contemporary and stylish composition, high contrast, deep blacks

Place the kids from image 1 riding on the backs of the animals from image 2, positioning them naturally with correct scale and body contact. Put them together into the background from image 3, matching the environment’s depth and perspective. Apply warm lighting and soft golden tones inspired by image 4.

A hyper-realistic, high-resolution, 35mm Kodak film photograph, severely underexposed and richly grainy, captures a stark, minimalist, and intensely graphic magazine (with a brutalist architecture cover) lying on a textured concrete table. Central Focus: The Magazine: The main subject is a thick, well-designed architectural magazine lying open or closed (preferably closed, slightly angled) on a concrete surface. The magazine's cover features a high-contrast, graphic photograph of a massive, unadorned concrete brutalist building, with bold, geometric sans-serif text (e.g., "CONCRETE & FORM," "URBAN MONUMENT") seamlessly integrated into its design. The cover itself should be rendered in the same severely underexposed, gritty, and stark black-and-white or desaturated grey tones, mimicking the film aesthetic. The Concrete Table: The magazine rests on a textured, raw concrete table or slab. This surface should also show subtle imperfections, visible aggregate, and a gritty, matte finish, mirroring the brutalist aesthetic of the cover art. Composition & Perspective: The camera takes a slightly elevated, perhaps oblique, shot looking down at the magazine and table, creating a clean, architectural composition. The surrounding environment is minimal, ensuring the focus remains on the magazine and the concrete surface. Lighting & Mood: The lighting is harsh and dramatic, possibly a single, strong light source casting sharp, geometric shadows from the magazine onto the concrete table. The entire scene is severely underexposed, enhancing the heavy, imposing, and stark mood. Color Palette & Graphic Design: The cinematic color palette is stark and limited: dominated by the rich, textured greys of the concrete table and the magazine cover, deep, underexposed blacks from shadows, and possibly a subtle hint of muted blue or grey reflecting off the concrete. Any text on the cover is minimalist, either white, black, or a very desaturated, cool grey, maintaining the brutalist aesthetic. The overall mood is serious, intellectual, and intensely graphic, with prominent film grain.

A realistic wide shot of a young woman with tidy strawberry-blonde hair styled in a low bun. She is wearing wide-leg long jeans and a thick red sweater, carrying a pile of unfolded sweaters in her arms. She walks down the street under harsh, blazing sunlight. The image is brightly overexposed, with washed-out skies that look burned from high exposure, creating a strong sense of heat. Her expression is tired and frustrated as she walks forward. The overall atmosphere feels hot, intense, and sun-drenched

Studio-style advertisement poster with a bold red background. In the center, a delicious hamburger sits on a wooden board. The burger features a round brioche bun, with a juicy beef patty visible between the slices, topped with tomato, lettuce, and thin white onion rings. From both sides of the frame, two hands reach toward the burger, slightly out of focus, creating depth. The burger is lit from below with a subtle warm light, enhancing its texture and shine. Above the burger, handwritten white text reads: 'the best thing i can do right now'. Below it, the word 'burger' appears in a cheese-style font with holes, in a yellow-orange color. Clean studio photography aesthetic, sharp, vibrant, and appetizing

A highly advanced modular robotic prosthetic hand precisely holding an iridescent holographic computer chip displaying rainbow light reflections between thumb and fingertips, demonstrating precision manipulation of delicate electronic components, featuring complex mechanical architecture with brushed aluminum and gray composite framework, bright yellow articulated finger joints with visible fasteners, blue perforated silicone grip surfaces providing gentle contact, transparent protective housings over internal servo mechanisms, vibrant safety-coded components including fluorescent pink actuator assembly, orange protective padding, green foam cushioning sections, prominent black technical labels displaying "BLACK FOREST LABS", "FLUX.2", and "PLAYGROUND" in white typography, white knitted fabric sleeve at wrist connection interface, mounted on heavy-duty black ribbed industrial platform base, professional product photography with pristine white background and controlled studio lighting creating subtle shadows, ultra-sharp focus capturing every mechanical detail including exposed wiring harnesses, metal surface textures, wear patterns on aluminum components, the mesmerizing color-shifting surface of the iridescent chip with circuit patterns visible, microscopic dust particles on surfaces, shot with macro lens from slight three-quarter elevated angle, emphasizing the careful grip and juxtaposition between cutting-edge AI technology represented by the chip and advanced robotics engineering, technical documentation aesthetic mixed with commercial product presentation quality, conveying themes of artificial intelligence, machine learning hardware, robotic precision handling, and next-generation computing technology innovation

a samurai attire made of solar panels with some small wires and electronic components visible

A wide, slightly low-angle shot on a beach of an Asian woman with her hair pulled back and a center part, leaning against a large white furry bull with brown horns. The woman is wearing tight khaki pants and an oversized black fur coat. The bull is very fluffy and looks directly at the camera. In the background, bright sky in soft bluish tones fades toward the horizon, with strong sunlight creating defined shadows and highlighting textures. A bit of the sea and gentle waves can be seen behind the woman and the bull. Subtle film-style effect with rich, detailed textures.